Melissa

McCarthyism
**Arthur Miller,the Crucible and McCarthyism** Arthur Miller's response to theMcCarthy anti-Communist hysteria: a period of conflict in the USA in the 1950s,was to write the Crucible. He created an allegory to present the conflict, inwhich he was personally involved, to his contemporaries. In his play, heexamined the witchcraft trials in Salem. In 1692, which he saw as having manyparallels to his own experience. In creating a comparison between both theevents which occurred and the dilemmas faced by those directly involved, he wasable to thinly disguise the identities of acquaintances, while simultaneouslypresenting his views about the injustice which he believed had occurred. Hisplay is still very relevant as an examination of the way in which ordinarypeople can courageously confront unjust authority and the importance ofprotecting personal integrity.

Elia Kazan had been a member of the American [|Communist Party] in New York.
 * 1. What was the crime of Elia Kazan? **

**2. Why did Arthur Miller and Elia Kazan come into conflict? ** Arthur Miller and Elia Kazan came into conflict when Kazan named Miller as a communist in order to save himself.

**3. What was the relationship between Miller and Kazan prior to the McCarthy period? ** The relationship between Miller and Kazan prior to the McCarthy period was through Kazan directing some of Millers plays.

The response of the former friends to the conflict was that Kazan said he didn’t feel guilty, because he'd rather hurt others a little, than hurt himself a lot. The conflict was shaped by socialism because in the 50's, a person's reputation means a lot. And because Miller was accused, his reputation was ruined. The depression that Miller and Kazan both felt made them not think rationally and make harsh decisions, for example, Kazan's depression led him to name innocent people as communists. The society's values are very religious. Going to church, Learning the Ten Commandments and Praying are a big part of the expectations that the society holds.
 * 4. What was the response of the former friends to the conflict? **
 * 5. How did the social values of America in the 50s contribute to the conflict? How did the depression contribute to the values of Miller and Kazan? In the play,society's values also play a role. What are these values and their effects? **

The role of bureaucracy is the main reason for the conflict and basically started the conflict as they were in fear. This is parallel to the idea of witch craft or dealing with the devil.
 * 6. What was the role of bureaucracy / authority in the conflict? What is the parallel with this play? **

This is paralleled to the play because it matches when the villagers of Salem are accused of witchcraft, they are discredited in society and nobody will believe what they have to say or value their opinion.
 * 7. How could the discrediting of HUAC, Hollywood 10, blacklisting, be seen to be paralleled in the play? **

The loyalty was tested in both situations because the ordinary people may have had to be un-loyal in order to save their reputations.
 * 8. How was the loyalty of ordinary people tested in both situations? **

‘Entreated me to write less tragically about our country. This lecture cost me $40,000 in lawyer's fees, a year's suspended sentence for contempt of Congress, and a $500 fine. Not to mention about a year of inanition in my creative life.’ Kazan won an orca for life achievement, and uproar occurred because not one member of the HUAC was mentioned.Kazan and Miller discuss the upcoming trial, but years later saw the event very differently.
 * 9. What dilemma did Kazan faced with regard to the house un-American activities committee? What was his stance in his first appearance? How did this affect him? What extra pressure was placed on him? **
 * 10. What were the ensuring events at the subsequent Oscars? **

Kazan still had no regrets about naming others as communists, but Miller had great regrets, and wishes that he was able to correct his choice.
 * 11. How did Kazan perceive a silent position on communism? **

Kazan still had no regrets about naming others as communists, but Miller had great regrets, and wishes that he was able to correct his choice.
 * <span style="color: #8500ff; font-family: Arial,Helvetica,sans-serif; font-size: 14px;">12. Kazan and Miller discuss the upcoming trial, but years later saw the event verydifferently. How? **

<span style="background: white; color: black; font-family: Verdana,Geneva,sans-serif; font-size: 12px; line-height: normal; margin-bottom: 0pt;">They both had a change in the in which they approached the conflict admitting to their wrong doings
 * <span style="color: #8500ff; font-family: Arial,Helvetica,sans-serif; font-size: 14px;">13. How was Kazan's next appearance before HUAC differ from the first? How did he justify what he did? What parallel could be drawn between the significance of the naming of names by Kazan and John Proctor? What were the differences? How did others respond? **

<span style="background: white; color: black; font-family: Verdana,Geneva,sans-serif; font-size: 12px; line-height: normal; margin-bottom: 0pt;">They both had a change in the in which they approached the conflict admitting to their wrong doings
 * <span style="color: #8500ff; font-family: Arial,Helvetica,sans-serif; font-size: 14px;">14. What was the response of Arthur Miller? How did it contribute to his writing of theCrucible? **

<span style="color: black; font-family: Verdana,Geneva,sans-serif; font-size: 12px; line-height: 115%;">'The result of it all is that I have come, rather reluctantly, to respect delusion, not least of all my own. There are no passions quite as hot and pleasurable as those of the deluded. Compared to the bliss of delusion, its vivid colours, blazing lights, explosions, whistles and liberating joys, the search for evidence is a deadly bore. My heart was with the left. if only because the right hated me enough to want to kill me, as the Germans amply proved. And now, the most blatant and most foul anti-semitism is in Russia, leaving people like me filled not so much with surprise as a kind of wonder at the incredible amount of hope there once was, and how it disappeared and whether in time it will ever come again, attached, no doubt, to some new illusion.' <span style="color: black; font-family: Verdana,Geneva,sans-serif; font-size: 12px; line-height: 115%;">It played the role of continuing the conflict, allowing it to flow and grow. <span style="color: black; font-family: Verdana,Geneva,sans-serif; font-size: 12px;">'But as the 50s dawned, they were stuck with the past. Part of the surreality of the anti-left sweep was that it picked up people for disgrace who had already turned away from a pro-Soviet past but had no stomach for naming others who had merely shared their illusions. But the hunt had captured some significant part of the American imagination and its power demanded respect. Turning to Salem was like looking into a petri dish, an embalmed stasis with its principal moving forces caught in stillness. One had to wonder what the human imagination fed on that could inspire neighbours and old friends to emerge overnight as furies secretly bent on the torture and destruction of Christians. More than a political metaphor, more than a moral tale, The Crucible, as it developed over more than a year, became the awesome evidence of the power of human imagination inflamed, the poetry of suggestion, and the tragedy of heroic resistance to a society possessed to the point of ruin.’ <span style="color: black; font-family: Tahoma,Geneva,sans-serif; font-size: 12px; line-height: 115%;">It was seen as many people who had committed a crime (Kazan and John Proctor) in the end felt that they had done the wrong thing and admit to their wrong doings
 * <span style="color: #8500ff; font-family: Arial,Helvetica,sans-serif; font-size: 14px;">15. What role does hysteria play in both events? **
 * <span style="color: #8500ff; font-family: Arial,Helvetica,sans-serif; font-size: 14px;">16. Explain the metaphor connecting Salem and the McCarthy witch hunts. How does theCrucible also reflect Miller's own personal moral conflict? **
 * <span style="color: #8500ff; font-family: Arial,Helvetica,sans-serif; font-size: 14px;">17. How was the Crucible received by the audience? **
 * <span style="color: #8500ff; font-family: Arial,Helvetica,sans-serif; font-size: 14px;">18. How was guilt by association seen in the McCarthy era and the play? **


 * <span style="color: #8500ff; font-family: Arial,Helvetica,sans-serif; font-size: 14px;">19. How does John Proctor's private and public betrayal reflect both Kazan's and Miller's conflicts? **
 * <span style="color: #8500ff; font-family: Arial,Helvetica,sans-serif; font-size: 14px;">20. How did the critical response to the Crucible reflect the dangerous times it wasproduced in? **

<span style="color: black; font-family: Tahoma,Geneva,sans-serif; font-size: 12px; line-height: 115%;">As the people walked out they didn't want to know the truth of what had happened, which meant the play was produced at the wrong time as people were still in fear and shock ** 'Kazan's testimony created a far greater shock than anyone else's. Lee J Cobb's similar testimony and Jerome Robbins's cooperation seemed hardly to matter. It may be that Kazan had been loved more than any other, that he had attracted far greater affection from writers and actors with whom he had worked, and so what was overtly a political act was sensed as a betrayal of love'. **
 * <span style="color: #8500ff; font-family: Arial,Helvetica,sans-serif; font-size: 14px;">21. What was the personal and professional cost of Kazan's testimony to him? What does this show us about involvement in conflict for its participants **
 * <span style="color: #8500ff; font-family: Arial,Helvetica,sans-serif; font-size: 14px;">22. What was Kazan's final revenge? **
 * <span style="color: #8500ff; font-family: Arial,Helvetica,sans-serif; font-size: 14px;">23. How ultimately has history judged Miller and Kazan? **

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<span style="font-family: Arial,Helvetica,sans-serif; font-size: 14px;">**McCarthyism:** <span style="font-family: Arial,Helvetica,sans-serif; font-size: 14px;">[]

<span style="font-family: Arial,Helvetica,sans-serif; font-size: 14px;">**Modern day witchhunts** <span style="font-family: Arial,Helvetica,sans-serif; font-size: 14px;">[]